এবার ভাসিয়ে দিতে হবে
Ebar bhasiye dite hobe 1
Prakriti
এবার ভাসিয়ে দিতে হবে আমার এই তরী–
তীরে ব’সে যায় যে বেলা, মরি গো মরি॥
ফুল-ফোটানো সারা
ক’রে বসন্ত যে গেল সরে,
নিয়ে ঝরা ফুলের ডালা বলো কী করি॥
জল উঠেছে ছল্ছলিয়ে, ঢেউ উঠেছে দুলে,
মর্মরিয়ে ঝরে পাতা বিজন তরুমূলে।
শূন্যমনে কোথায় তাকাস।
ওরে, সকল বাতাস সকল আকাশ
আজি ওই পারের ওই বাঁশির সুরে উঠে শিহরি॥ Transliteration
Ebaar bhaasiye dite habe aamar ei tori - Tire bose jaay je bela, mori go mori. Phul photano saara kore basonto je gelo sore, Niye jhora phuler daala bolo ki kori. Jal utthechhe chhalchhaliye, dheu utthechhe dule, Marmoriye jhare paata bijan torumule. Shunyomone kothao taakas. Ore, sakol baatas sakol aakash Aaji oi paarer oi bnaashir sure otthe shihori.
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On YouTube
- Parjaay
- Prakriti · 253(প্রকৃতি)
- Upo-parjaay
- Basanta(বসন্ত)
- Raag
- Mishra-Hameer(মিশ্র-হামির)
- Taal
- Dadra(দাদরা)
- Collection
- Geetimalya(গীতিমাল্য)
- Place
- Shilaidaha(শিলাইদহ)
- Swarabitan vol.
- 39(স্বরবিতান ৩৯)
- Notation by
- Dinendranath Tagore
Dinendranath Tagore1882–1935Rabindranath's grand-nephew and the principal notator of his songs — the poet called him the keeper of all his songs. Taught music at Santiniketan.Photographer unknown, c. 1935 · Wikimedia Commons, public domain / Bhimrao Shastri - Composition date
- 9 April 1912(২৬ চৈত্র ১৩১৮)
English
I must launch out my boat. The languid hours pass by on the shore---Alas for me! The spring has done its flowering and taken leave. And now with the burden of faded futile flowers I wait and linger. The waves have become clamorous, and upon the bank in the shady lane the yellow leaves flutter and fall. What emptiness do you gaze upon! Do you not feel a thrill passing through the air with the notes of the far-away song floating from the other shore?
Translated by Rabindranath Tagore
Rabindranath Tagore1861–1941Poet, composer and painter; the words and the melodies of every song in Gitabitan are his. Nobel laureate in Literature, 1913.His first photograph, Calcutta · 1873 ? · 25 Portraits of Rabindranath Tagore (Visva-Bharati, Calcutta, 1951) source
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