সকালবেলার আলোয় বাজে বিদায়ব্যথার ভৈরবী
Sakalbelar aloy baje
Prem
সকালবেলার আলোয় বাজে বিদায়ব্যথার ভৈরবী–
আন্ বাঁশি তোর, আয় ক’বি॥
শিশিরশিহর শরতপ্রাতে
শিউলিফুলের গন্ধ-সাথে
গান রেখে যাস আকুল
হাওয়ায়, নাই যদি রোস নাই র’বি॥
এমন ঊষা আসবে আবার সোনায় রঙিন দিগন্তে,
কুন্দের দুল সীমন্তে।
কপোতকূজনকরুণ
ছায়ায় শ্যামল কোমল
মধুর মায়ায়
তোমার গানের নূপুরমুখর
জাগবে আবার এই ছবি॥ Transliteration
Sokalbelar aaloy baaje bidaybyathar bhoirobi – Aan bnaashi tor, aay kobi. Shishirshihor sharotpraate shiuli phuler gandhosaathe Gaan rekhe jaas aakul haawar, naai jodi ros naai robi. Emon usha aasbe aabar sonay rongin digante, Kunder dul simonte. Kapotkujonkorun chhaayay shyamol komal modhur maayay Tomar gaaner nupurmukhar jaagbe aabar ei chhobi.
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On YouTube
- Parjaay
- Prem · 166(প্রেম)
- Upo-parjaay
- Prem-Boichitra(প্রেম্-বোইচিত্র)
- Raag
- Bhairavi(ভৈরবী)
- Taal
- Dadra(দাদরা)
- Tradition
- Hindustani(হিন্দুস্তানি)
- Swarabitan vol.
- 3(স্বরবিতান ৩)
- Notation by
- Dinendranath Tagore
Dinendranath Tagore1882–1935Rabindranath's grand-nephew and the principal notator of his songs — the poet called him the keeper of all his songs. Taught music at Santiniketan.Photographer unknown, c. 1935 · Wikimedia Commons, public domain - Composition date
- 1926(১৩৩৩)
English
The morning-light aches With the pain of parting. Poet, take up thy flute! Let be, if thou must depart, and go, Leaving thy song to the flowers In this dew-dripping autumn. Such a morning will come again At the gold-tinted border of the East With kunda flowers in her locks. In the shady garden path, plaintive with dove's cooing, Tender with the caressing enchantment of the green, Will rise again the vision of this light, Her steps tinkling with the anklet of thine own songs. Let be, if thou must depart.
Translated by Rabindranath Tagore
Rabindranath Tagore1861–1941Poet, composer and painter; the words and the melodies of every song in Gitabitan are his. Nobel laureate in Literature, 1913.His first photograph, Calcutta · 1873 ? · 25 Portraits of Rabindranath Tagore (Visva-Bharati, Calcutta, 1951)
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